Spaces and places.&nbsp; ALLOWED [D] Zillah BowesWeeds aren't just weeds. They're like friends. An animated lockdown walk through the city. BLUE Fréderic Bayer AzemSamira is finally going to buy a car. Now she has to decide which model. But night falls, the rodent shadows... YOUR STREET (DEINE STRASSE) [D] Güzin KarHow do we commemorate the victims of history, whose stories trigger guilt, grief and shame? FIREFLIES (VAGALUMES) Léo BittencourtFireflies is a fabulated ethnography of night at Flamengo's Park. MISTY PICTURE Christoph Girardet, Matthias MüllerIn Misty Picture, city symphony, disaster movie and medial trauma therapy become one. TRAIN AGAIN Peter TscherkasskyThe third instalment of Tscherkassky’s 'Rushes Series' puts the evolution of train travel and cinema history on parallel, and sometimes overlapping, tracks. All films eligible for Grand Prix International Short Award[D] denotes eligible for Grand Prix Documentary Award

International Shorts 4

During the first Covid-19 wave, plants and flowers were allowed to grow wild, with green spaces uncut. Using animated photos taken on lockdown walks, 'Allowed' lyrically re-examines our relationship with urban plant life. <img src="https://storage.googleapis.com/eventive-static/40c71e9ebf5cee267ff494cbd6adc5a2.png" width="274">

Allowed

An animated lockdown walk through the city

Samira is finally going to buy a car. Now she has to decide which model. But night falls, the rodent shadows... <img src="https://storage.googleapis.com/eventive-static/99010d4b730950da799ea3e866034e47.png" width="154">

Blue

A faceless street in the outskirts of a German city, named after a child. Little by little, the street is being charged with its past, which is linked to one of the most tragic episodes in the history of reunified Germany. Are public memorials collective remembrance or collective repression? <img src="https://storage.googleapis.com/eventive-static/ce41b60edcac0025ee20f706f8c29016.png" width="274">

Your Street

How do we commemorate the victims of history, whose stories trigger guilt, grief and shame?

The night side of a modernist icon. While the city of Rio de Janeiro falls asleep, the Roberto Burle Marx designed gardens becomes inhabited by visitors to Flamengo's Park. Fireflies is a fabulated ethnography of night at Flamengo's Park. <img src="https://storage.googleapis.com/eventive-static/8c472be76fb1858877b48b98e88f30b1.png" width="154">

Fireflies (Vagalumes)

Fireflies' is a fabulated ethnography of night at Flamengo's Park

In 'Misty Picture' city symphony, disaster movie and medial trauma therapy become one. <img src="https://storage.googleapis.com/eventive-static/910a547352b554eb4f310ee147eab2ea.png" width="155">

Misty Picture

In 'Misty Picture' city symphony, disaster movie and medial trauma therapy become one

With a nod in its title to Kurt Kren’s Tree Again (1978), the third instalment of Tscherkassky’s 'Rushes Series' puts the evolution of train travel and cinema history on parallel, and sometimes overlapping, tracks to delirious effect. <img src="https://storage.googleapis.com/eventive-static/6f7b28c22f1b85cde95805e987a9e180.png" width="154">

Train Again

The third instalment of Tscherkassky’s 'Rushes Series' puts the evolution of train travel and cinema history on parallel, and sometimes overlapping, tracks

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