aemi is delighted to present this overview of selected short works by Lynne Sachs, many of which are screening in Ireland for the first time.

From 2015 to 2017, Lynne visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three artists who embraced the moving image throughout their lives

A portrait that falls somewhere between a painting and a poem, a look at a woman’s daily routines and thoughts via an exploration of her as a 'character'

Optically printed images of a man and a woman fragmented by a film frame divided into four distinct sections

A girl’s difficult coming-of-age rituals are recast into a potent web for affirmation and growth

Against the uncertain and anxious pandemic atmosphere, inside domestic space, a ‘girl’ arranges and rearranges a collection of small and mysterious things

A collaboration exploring the resonances and ruptures between image and language

Poetry watches film. Film reads poetry. Paolo Javier’s text is a catalyst for digital sculpting of an 8mm Kodachrome canvas.

Lynne Sachs films her daughter Maya at 6, 16 and 24.

In 1998, filmmaker Barbara Hammer had an artist residency in a shack without running water or electricity. She shot film and kept a journal. In 2018 Hammer, facing her own imminent death, gave her material to Lynne and invited her to make a film.